October, 2026: Lee Turner doesn’t remember how or why he killed his college roommate. The details are blurred and bloody. All he knows is he has to flee New York and go to the one place that might offer refuge—his father’s new home in Japan, a house hidden by sword ferns and wild ginger. But something is terribly wrong with the house: no animals will come near it, the bedroom window isn't always a window, and a woman with a sword appears in the yard when night falls.
October, 1877: Sen is a young samurai in exile, hiding from the imperial soldiers in a house behind the sword ferns. A monster came home from war wearing her father’s face, but Sen would do anything to please him, even turn her sword on her own mother. She knows the soldiers will soon slaughter her whole family when she sees a terrible omen: a young foreign man who appears outside her window.
One of these people is a ghost, and one of these stories is a lie.
Something is hiding beneath the house of sword ferns, and Lee and Sen will soon wish they never unburied it."
I loved Kylie Lee Baker’s previous book, Bat Eater, so I was very much looking forward to Japanese Gothic and had pretty high expectations. While I think Japanese Gothic does a lot of things really well and I generally find it to be a really well-written story, I ended up having some mixed feelings about this one.
The story follows two characters, Sen and Lee, who are separated by centuries but end up connected due to one mildly haunted (of sorts) house. I thought the setup was really interesting and unique, and this premise combined with the oppressive atmosphere that Baker developed provided a lot of potential for something incredibly layered and intense--which Japanese Gothic definitely did deliver on.
If there’s one thing that Baker does just as well in this book as she did in Bat Eater, it’s her ability to create an atmosphere that feels alive and almost overwhelming in its heaviness. Baker’s writing style is incredibly thoughtful and works incredibly well to create some genuinely creepy elements in this book, which contributes to an overall tone that feels haunted and claustrophobic. I felt like I was caught in Lee’s dark mental struggles, as well as the tense currents that were present within Sen’s experiences.
All this being said, I struggled a bit more with the plot and story itself. There were some aspects that just felt a bit disjointed, and for much of the book I found myself unsure of what was really going on plot-wise. And I don’t mean that I genuinely was unsure what was happening, but just that it felt like there was a lot of constant building toward something, but it just felt like I was always waiting for it to really come together, and by the time it did it just lacked something that really felt satisfying. I kept reading largely because of Baker’s writing, which really captivates me, and because I kept expecting something to hit at some point.
I did find Sen’s storyline interesting, particularly her dynamic with her father and family, which added some intriguing depth and layers to the overall plot. I think her sections had a bit more to really follow and get into, whereas Lee’s felt much more static and lacking in things to make me feel more connected to his story. I think Lee’s sections almost leaned too much in flashbacks and time spent within his mind and imagination to where I almost felt like I never really knew who Lee was in the present--and perhaps that was part of the point of the story? But it just didn’t fully work for me, I don’t think.
I really liked how Baker connected the two timelines and thought it was a very interesting liminal-like almost gap in time that caused this interaction, and I was intrigued by that aspect. I found the actual connection between the two characters initially well-done, but it started losing some of its groundedness as the story progressed, which made it harder for me to feel like I could really get behind it.
There are some strong twists and turns throughout the book, and while some felt a bit expected, others held weight that added some truly fascinating developments and were woven well into the story. I think some of those, especially ones closer to the end of the book, were some of the strong aspects of the story. And what I’ve noticed from Baker with this book is that I think she really hits on those intense, emotional, more terrifying moments incredibly well, and this is what really makes her write creeping, haunting horror so well. It just feels so raw and devastating and messy, all of which are excellent for the story.
Overall, Japanese Gothic is one of those books where the writing and the vibes really carried the story for me, and the plot itself was lacking ever so slightly. My review is probably a little all over the place because I've struggled with what to say about this story, but hopefully I've been able to share some somewhat helpful thoughts. It was just missing a little something that would have made it feel that much more compelling and cohesive for me, but was still a strong story that I don’t regret reading at all. I will absolutely continue to read more from Kylie Lee Baker, and I’d recommend this for any fans of her previous work or for those who enjoy a thoughtful, slow-build, atmospheric horror.
